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Sound Films A

Marlene Dietrich

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Anita Page

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1002nd Night, The (1933)

Directed by Alexandre Volkoff and starring Ivan Mozzhukhin, Tania Fedor and Nita Alvarez, this is a French film dubbed in English with a runtime of 65 mins. Unfortunately the print quality is below par. One for the dedicated collector of Mozzhkhin….£7.49

 

24 Hours (1932)

starring Miriam Hopkins and Kay Francis. Adulterous couple Clive Brook (his stiff, inebriated self) and Kay Francis (captivating here in one of her subtle, effective performances)survive an harrowing 24 Hours in which Brooks' lover (Miriam Hopkins steals the show as a lively chanteuse) manages to get bumped off by her maniacal husband (Regis Toomey). It's tastefully handled, yet gripping in its understatement. The photography is fluid - this seems more like a 1932 film than a 31 - it's very mobile, edited nicely. £7.49

 

42nd Street (1933)

Starring Warner Baxter, Bebe Daniels and Ruby Keeler……£7.49

 

A Nous La Liberte (1931)

Directed by Rene Clair, this film has a runtime of 83 mins…..£7.49

 

Abe Lincoln in Illinois aka Spirit of the People (1940)

Starring Raymond Massey and Gene Lockhart…..£7.49

 

Abilene Town (1946)

Starring Randolph Scott and Rhonda Fleming……£7.49

 

Abraham Lincoln (1930)

Directed by DW Griffith and starring Walter Houston. Brief vignettes about Lincoln's early life include his birth, early jobs, (unsubstantiated) affair with Ann Rutledge, courtship of Mary Todd, and the Lincoln-Douglas debates; his presidency and the Civil War are followed in somewhat more detail, though without actual battle scenes; film concludes with the assassination. £7.49

 

Ace Drummond (1936)

"Ace Drummond" is a 13 Chapter serial based on the popular comic strip of the day written by U.S. WW1 ace Eddie Rickenbacker. The story takes place in Mongolia where International Airlines is attempting to establish a link to the orient. A criminal mastermind known as "The Dragon" is attempting to stop the airline. It seems that an archaeologist, Dr. Trainor (Montague Shaw) has discovered a mountain rich in jade and "The Dragon" feels that an international presence would foil his desire to gain control of the treasure….£7.99

 

Adventures of Baron Munchausen, The (1943)

Directed by Josef von Baky and starring Hans Albers, Wilhelm Bendow and Brigitte Korney this film has a runtime of 111 mins and the print quality is very good to excellent.

Plot: This lavish, impudent, adult fairy tale takes the viewer from 18th-century Braunschweig to St. Petersburg, Constantinople, Venice, and then to the moon using ingenious special effects, stunning location shooting.

Review: Baron Karl Friedrich Hieronymus von Munchhausen was a historic German nobleman, who became famous for throwing lavish parties at his home in Bodenwerder, where he told the most fantastic tall tales about his adventures. Now a well-known literary figure, Munchhausen has become a synonym for unbelievable and exciting adventures, that often involve tremendous exaggerations and even lies. It's not surprising that the wonderful stories of this man were eventually made into a movie, and interestingly enough it was the one that celebrated the 25 year anniversary of the German UFA film studios. Even more interesting though, is the fact that it was made in Nazi Germany during World War II, and yet doesn't contain one single anti-Semitic reference or propaganda for the cause of the National Socialist Party.
Extremely funny and hilariously entertaining, Josef von Baky created an unusual and highly original odyssey through Europe, of a man pursuing the exciting and adventurous. Those who have read the stories, know that some of Munchhausen's more famous deeds include his ride on the cannonball, tying his horse to the tip of a church tower and breaking into the ice, out of which he pulls himself by his own hairs. The first one mentioned can be found in the movie, as well as other humorous scenes, that perfectly fit into the Munchausen concept. Munchhausen lived at the end of the 18th century in Brunswick, but he always traveled around Europe with his loyal servant Christian Kuchenreuter. The story starts out with Munchhausen returning from one of his several trips to his residence in Bodenwerder, where all the jackets in his cabinet get rabies and Christian introduces a fascinating substance, that makes a man's beard grow in a matter of seconds. Hours later, Munchausen leaves for the court of Prince Anton Ulrich of Brunswick, who is commanded to leave for St. Petersburg, and would like Munchhausen to accompany him. On their way to Russia, Munchhausen and Christian encounter the dark Count Cagliostro, who is wanted all over Europe for performing notorious witchcraft. He plainly tells Munchhausen of his intentions to become count of the Courland, and asks Munchhausen to assist him, which he denies, by telling him that he has absolutely no intention of reigning. In St. Petersburg, he meets Katharina the Great and the two become lovers, and he also meets Cagliostro again, and warns him that Katharina intends to arrest him. Out of gratitude, Cagliostro gives Munchausen a ring that makes him invisible and the ultimate gift of eternal youth, as long as Munchhausen wants it.
Baron Munchhausen was never very complex in the original stories, as they mostly focused on his fairy tales, rather than the vast and interesting personality. But here, the man is a very deep and powerful character, who sees people die around him, while he possesses the gift of eternal life, and becomes more and more torn between his desire for adventure and that to share a mortal life with his friends and loved ones. For this movie the basic concept of the Munchhausen stories was changed a bit, with the film being somewhat of a life story, even though there is no real linear plot, with the narrative reminding more of episodes. While a lot of the film is actually more of a historical drama than fantasy, many scenes will bring you into the wonderful world of Baron Munchhausen, including the cream that makes your hair grow in a matter of seconds, the rifle that can shoot accurately for hundreds of miles and the ride to the moon in an air balloon. An exemplary tale of imagination and creative adventures, Munchhausen's visual effects can't measure up the ones of today, of course, but in perspective to the times, they are absolutely stunning.
Some of the acting in this movie really stands out, even though it mostly centers around the colorful sets. Hans Albers makes the perfect Baron Munchhausen, a witty, intelligent, charismatic and very deep character, who is not the perfect hero, but a man who goes through life trying to have it as exciting as possible. Whether he's deeply philosophical, in the middle of one of his fun adventures, or once again seducing a beautiful woman, Albers is extremely convincing as the flawed, but good-hearted Munchhausen, who learns a lot during his life, enough to choose mortality over eternal life at the end. The film features a huge ensemble of characters, and many of them are just part of one episodes in Munchhausen's life. Hermann Speelmans, who plays Munchhausen's loyal servant and friend Christian Kuchenreuter, was also an exemplary casting choice, and manages to be funny (growing his beard in a matter of seconds) and very emotional (rapid aging on the moon) in a number of scenes. Another performer who really stands out is Ferdinand Marian, as the mysterious Count Cagliostro, who is very power-hungry, self-serving, but in the end a thankful and appreciative man, who rewards Munchhausen for warning him by giving him the eternal youth. Brigitte Horney as Katharina the Great is also great in her role, as the proud monarch, who is completely charmed by Munchhausen.
Another thing that might shock you is the nudity in this movie, that wouldn't get past any US-censor these days, as well as some pretty explicit sexual jokes. Therefore, "Munchhausen" really is a fairy tale for adults and not necessarily for children.
What's left to say, is that "Munchhausen" is a beautiful tale of adventures and imagination, that is an impressive document of what Germany's film industry was able to conjure in the 1940s already. And when Hans Albers rides on the cannon ball, turns his head to the audience, and takes off his hat in greeting, you will completely be captured by his charismatic and smart personality that brings the magic to this outstanding movie…..£7.49

 

Adventures of Robinson Crusoe, The (1964)

The legendary TV series starring Robert Hoffman……£7.49

 

Adventures of Sherlock Holmes, The (1939)

Starring Basil Rathbone and Nigel Bruce……£7.49

 

Africa Screams (1949)

Starring Bud Abbott and Lou Costello……£7.49

 

Aimless Bullet aka Obaltan (1961)

Directed by  Yu Hyun-mok and starring Mu-ryong Choi, Kim Jin-kyu, Jeong-suk Moon and Ae-ja Seo, this film has a runtime of 107 mins and the print quality is very good. This is a Korean language film with hardcoded English subtitles.

A couple years after the Korean war, Seoul has only begun to be rebuilt. The first parts of the city reconstructed are for the few wealthy while the majority of the people make do in their squatter huts. The hardships and anxieties of the social and economic devastation are played out by a few people trying to better themselves and those just trying to get by. Hopelessness and chronic unemployment lead to alternative attempts at income and normalcy which trigger a downward spiral.
Review: It was banned in Korea because it was so realistically stark in it's post war depiction. It was similar to and inspired by Italy's "The Bicycle Thief," but not as good. The film was pretty dark so the titles showed up even better. You could see that the locations were real because of the adaptations people had made in their shanties were so numerous & functional. The disparity between the barely haves & have nots was a source of conflict shown by the rubble which also representative of the human spirit. The cinematographic efforts were clearly present, but it was obvious there wasn't much experience with the tools of the trade on hand. The individual character development was complete in that the many problems exemplified by the individuals seemed to be a basic part of their make up, and it was the subtext to their every action. The pacing felt a bit slow at times, and the direction seemed to be trying to copy the film's predecessor rather than break wholly new ground. This film was certainly ground breaking in Korea; that is of course why it was banned. The many actors became their characters and successfully showed their struggles as individuals with their own ways of coping.
Unfortunately, this is not on video, and is a very rare find in the States even though it is such an important work….£7.49

 

Alexander Nevsky (1938)

Directed by Sergei Eisenstein the film has a runtime of 108 mins…..£7.49

 

Alf’s Button Afloat (1938)

Excellent Crazy Gang Comedy…..£7.49

 

Algiers (1938)

Starring Charles Boyer and Hedy Lamar. Beautiful Gaby meets a romantic jewel thief in the mysterious Casbah. Pepe Le Moko, a thief who escaped from France with a fortune in jewels, has for two years lived in, and virtually ruled, the mazelike, impenetrable Casbah, "native quarter" of Algiers. A French official insists that he be captured, but sly Inspector Slimane knows he need only bide his time. The suave Pepe increasingly regards his stronghold as also his prison, especially when he meets beautiful Parisian visitor Gaby, who reminds him of the boulevards to which he dare not return...and arouses the mad jealousy of Ines, his Algerian mistress....£7.49

 

Alibi (1929) **UPGRADE – Improved print**

Directed by Roland West and starring Chester Morris, Mae Busch, Harry Stubbs, Eleanor Griffith, Irma Harrison, Regis Toomey, Pat O’Malley, Dewitt Jennings and Ed Brady, this film has a runtime of 82 mins and the print quality is very good to excellent.

Plot: Chick Williams, a prohibition gangster, rejoins his mob soon after being released from prison. When a policeman is murdered during a robbery, he falls under suspicion. The gangster took Joan, a policeman's daughter, to the theater, sneaked out during the intermission to commit the crime, then used her to support his alibi. The detective squad employs its most sophisticated and barbaric techniques, including planting an undercover agent in the gang, to bring him to justice.

Review: The story here is interesting enough and on its own ensures that no one will feel disappointed at having watched this. Chick Weaver is a gangster just released from prison who hooks up with a "copper's daughter." Unfortunately, he can't go straight and gets involved with a warehouse robbery during which he kills a cop. The rest of the movie essentially deals with his attempts to frame an alibi for himself and with the efforts of the police to find the cop-killer. There are a few points at which the story gets a bit confusing, but it holds your interest well enough as you follow the various characters. What's really most interesting about this, though, is its status as a very early "talkie."
In that sense, I almost saw this serving as a proverbial "missing link" between the silent era and the sound era. There are parts of this movie which are very much like a silent movie - with no dialogue or sound effects other than a musical background. And yet, most of the movie has dialogue, although strangely the accompanying sound effects (ie, the sound of doors slamming, etc.) often seem to be missing. At times, this movie even has, in both sound and picture quality, a very later (say 1950's) feel to it. This diversity of "style" (for lack of a better word) would seem to me to be an example of director Roland West experimenting with this new way of movie-making. The weirdest aspect of this would probably be an extended scene right at the beginning of the movie, where police officers do nothing but bang their billy clubs against a wall for no apparent purpose - except, perhaps, to demonstrate to the audience that this has sound?
This is an enjoyable enough movie, and an interesting look at this transitional era of movie-making. 7/10…..£7.49

 

Alice In Wonderland (1933)

Starring Cary Grant, Edward Everett Horton and Many Others……£7.49

 

All About Eve (1950)

Starring Bette Davis……£7.49

 

All I Desire (1953)

Starring Barbara Stanwyck and Richard Carlson……£7.49

 

Aloma of the South Seas (1941)

Directed by Alfred Santell and starring Dorothy Lamour, Jon Hall, Lynne Overman, Phillip Reed and Katharine DeMille, this film has a runtime of 74 mins and the print quality is good.

Plot: A young South Seas native boy is sent to the U.S. for his education, returns to his island after his father dies to try to stop a revolution.

Review: ALOMA OF THE SOUTH SEAS is typical of a series of pictures made by Paramount Studios during the late '30s and early '40s, set on some far-off tropical island paradise with a sarong-clad Dorothy Lamour. While these features may have wanted for sophistication and better production values, box office returns clearly indicated that American audiences, weary of a debilitating depression and a demanding war effort, were more than willing to buy tickets to a proxy Polynesia for an hour and a half's escape from reality.
Escape from reality is right, because these movies were as far removed from reality as the Oort Cloud is from the Earth. But they were popular enough to make the unpretentious Miss Lamour one of the most bankable stars in Hollywood at the time. In fact, she is the main reason I purchased a copy of this film from an online source, though more for its historical value than for any erudition one might expect. As a movie collector, I wanted to have at least one Dorothy Lamour sarong picture in which she was not accompanied by Crosby and Hope and this - THE HURRICANE notwithstanding - is the one I liked best.
Not that it is a good movie. It isn't but, to be enjoyed at all, it must be viewed within the context of its time. The plot is almost non-existent. It's the old eternal triangle in which two erstwhile boyhood friends Tanoa (Jon Hall) and Revo (Philip Reed) vie for the hand of Aloma (Lamour). That's it! There is a faint hint of some kind of island revolt but it never materializes, so the only question is who will be left to embrace Aloma at the fadeout. Incredibly, the situation is resolved not through the efforts or ingenuity of any of the principals, but by a convenient geological cataclysm: a spectacular volcanic eruption that's actually worth waiting for (and explains my overly generous rating of 8).
Dorothy Lamour does well enough in her lightweight role as the island maiden, but Jon Hall is too beefy to pass for the virile Polynesian native chieftain in a skimpy wrap-around. He is also betrayed by the script. As a leader of his people who had studied in America (including Harvard, of all places) he has absolutely nothing to do except moon over Miss Lamour (Nice work, if you can get it!). As for the islanders themselves, they come out in droves for the ritualistic dances but, at all other times, are noticeably absent.
Yet, even left as is, ALOMA could have benefited immeasurably from actual outdoor locations, as did the silent 1926 version which was shot in Puerto Rico and Bermuda. By confining filming to a sound stage, Paramount left us with a claustrophobic effect that looks more like the interior of a lush greenhouse than sultry island.
In her memoir, "My Side of the Road," Dorothy Lamour recalled, with some amusement, a harrowing experience while filming ALOMA. "During the volcanic explosion, I was supposed to swing across a gorge from one ledge to another but I didn't push off hard enough and was short of my target. Then, as I swung back, I couldn't reach the other ledge either. The crew urged me to let go the vine and jump but it looked like too far a drop so I clung on for dear life. As I struggled to stay on, I could feel my sarong slowly unravel until it finally slipped off. Everyone was laughing but I hung on until I was rescued." The scene was reshot with Lamour clinging to Jon Hall.
ALOMA OF THE SOUTH SEAS is a movie that can be enjoyed, but only if viewed as a diversion; otherwise, it will seem antiquated and silly....£7.49

 

Amateur Gentleman, The (1936)

Starring Douglas Fairbanks Jr and Elissa Landi…..£7.49

 

Amazing Adventure (1937)

aka: The Amazing Quest of Ernest Bliss. The only British film Cary Grant made in the '30s Ernest Bliss is a rich young man with too little to do. Not realizing the depression he's in is due to boredom, Ernest consults a doctor. Sir James Aldroyd gives Ernest a prescription that he doesn't think Ernest can fill: Ernest must earn his own living for one year using none of his current wealth. Ernest bets him 50,000 English pounds that he can. £7.49

 

Amazing Mrs Holliday, The (1943)

Directed by Jean Renoir and starring Deanna Durbin and Edmond O'Brien, the film has a runtime of 93 mins…..£7.49

 

Amazing Transparent Man (1960)

Directed by Edgar G.Ulmer……£7.49

 

American, Soldier, The (1970)

Directed by Rainer Werner Fassbinder, who also stars alongside Karl Scheydt, Elga Sorbass, Irm Hermann and Margarethe Von Trotta. This film has a runtime of 77 mins and the print quality is excellent. This is a German language film with English subtitles.

Plot: Ricky is a cold-blooded U.S. German contract killer. After serving in Viet Nam, he returns to his home town of Munich to eliminate a few problem crooks for three renegade cops. He inspects his old neighborhood with his childhood accomplice Franz Walsch, and pays a short visit to his mother and doting brother. When Ricky asks the hotel clerk for a girl, one of the cops sends his girlfriend Rosa. However, she falls for the killer.

Review: This is an early Fassbinder film, and from what I've seen, one of the best of his first 11 (which make up his first stage as a filmmaker). It's Fassbinder in gangster mode, and has been called an homage to film noir or even a parody of film noir. This isn't the case though. The movie is just film noir done by Fassbinder. There are little homages here and there, the beginning and end could be seen as being inspired by Breathless (taken to ridiculous extremes), and there are lots of filmmakers names used as characters, but Fassbinder isn't winking at the camera so much as just being himself, which back then, could be quite bizarre. In fact, this might be one of Fassbinder's most bizarre movies.
The camera stands still, characters occasionally deliver seemingly unrelated monologues, unusual plot lines are treated nonchalantly (Ricky's brother is in love with him?), people about to be killed don't seem to be worried, and the singlehandedly greatest song ever plays over and over again, crooning "so much tenderness is in my head, so much loneliness in my bed." To have this song play over scenes of a stone-cold amoral hitman (the title character) casually driving his car are perversely hilarious. Even better is when it plays in the end, in one of the greatest endings I've ever seen (you'll have to check it out).
The recent release of this film on DVD should help bring it some attention, as its now available for a pretty reasonable price from Wellspring. If you're looking for one of Fassbinder's more mature, professional, socially poignant melodramas, maybe this isn't the movie for you. If you're interested in an extremely unique unclassifiable early Fassbinder, by all means, check this out. Despite the occasional nods to past filmmakers, it's surprising how unique Fassbinder was from the start.
(for those who are Jim Jarmusch fans, it's apparent films like these must have inspired the detached humor in some of his more recent films)….£7.49

 

Angel On My Shoulder (1946)

Starring Paul Muni……£7.49

 

Angels With Dirty Faces (1938)

Starring James Cagney……£7.49

 

Anna Christie (1930)**UPGRADE**

Directed by Carence Brown and starring Greta Garbo, Charles Bickford  and Marie Dressler this film has a runtime of 86 mins and the print quality is excellent.

Storyline: In New York, the alcoholic skipper of a coal barge Chris Christofferson receives a letter from his estranged twenty year old daughter Anna "Christie" Christofferson telling that she will leave Minnesota to stay with him. Chris left Anna fifteen years ago to the countryside to be raised by relatives in a farm in St. Paul and he has never visited his daughter. Anna Christie arrives and she is a wounded woman with a hidden dishonorable past since she had worked for two years in a brothel to survive. She moves to the barge to live with her father and one night, Chris rescues the sailor Matt and two other fainted sailors from the sea. Soon Anna and Matt fall in love with each other and Anna has the best days of her life. But when Matt proposes to marry her, she is reluctant and also haunted by her past. Matt insists and Anna opens her heart to Matt and to her father disclosing the darks secrets of her past.  

Review: This early sound era adaptation of O'Neill's "Anna Christie" would be a decent movie worth seeing on its own, but it is Greta Garbo that makes it particularly worthwhile. The rest of the production is solid, and for the most part, its limitations are common to many other sound movies made in 1930. Garbo herself rises well above the level of the rest of the production, and Marie Dressler is also memorable and effective in her smaller role.
It's easy enough to see why a story like this was chosen for Garbo's first "talking" role. It provides a female central character who offers a ready-made opportunity for an actress like Garbo to demonstrate a good range of abilities, from strength to tenderness, from coarseness to elegance. She has good scenes with several of the other characters. Dressler's raucous performance works well, and she has some very good moments. George Marion is very believable as Garbo's father.…..£7.49

 

Animal Crackers (1930)

Starring the Four Marx Brothers. Captain Spaulding, the noted explorer, returns from Africa and attends a gala party held by Mrs. Rittenhouse. A painting displayed at that party is stolen, and the Marx's help recover it. Well, maybe 'help' isn't quite the word I was looking for, this is the Marx Brothers after all... £7.49

 

Anna Karenina (1935)

Directed by Clarence Brown and based on the Leo Tolstoy novel, this film boasts a stellat cast including Greta Garbo, Fredric March, Freddie Bartholomew, Maureen O’Sullivan, May Robson, Basil Rathbone, Reginald Owen and Reginald Denny. The runtime is 89mins and the print quality is very good.

Plot: This version of the Tolstoy classic lingers longer in Moscow during the weeks that follow the initial meeting of the starstruck lovers-to-be Vronsky and Anna Karenina. The story -- as it unfolds -- also focuses on Kitty, a young woman who is related to Anna's sister-in-law whose marital rift has brought Anna to Moscow. Until Anna shows up, Kitty had hopes of getting Vronsky, who is single and well connected, to propose to her. Ignored by Vronsky, Kitty turns her attention to another suitor, a man who seems to have a lot in common with Tolstoy.

Review: In Imperial Russia, the aristocratic Anna Karenina (Greta Garbo) travels from Saint Petersburg to Moscow to visit her brother Stiva (Reginald Owen) and she meets the cavalry officer Vronsky (Fredric March), who came with Stiva to the train station to welcome his mother.
After a family reunion where Anna Karenina has a conversation with her sister-in-law Dolly (Phoebe Foster) to help to save Stiva's marriage, Anna is invited to stay for the ball. Anna Karenina is courted by Vronsky, but she decides to return to Saint Petersburg to her loveless marriage because of her beloved son Sergei (Freddie Bartholomew).
However Vronsky follows her and she introduces him to her husband Karenin (Basil Rathbone) at the train station. Vronsky woos her and soon they have a doomed love affair that will lead Anna Karenina to a tragic fate.
"Anna Karenina" (1935) is the first and the unforgettable version of Tolstoy's classic romance. Greta Garbor is perfect in the role of Anna Karenina, a beautiful and aristocratic married woman that falls in love with a man in a society repressive with the women's rights and feelings. The scene where her face appears in a cloud of steam is one of the most beautiful of the cinema history.
The grandiosity and the camera work of the initial scene showing the officer's table and the ball are still very impressive. The heartbreak conclusion of a woman destroyed by her love is very sad. My vote is eight.….£7.49

 

Anna Karenina (1948)

Directed by Julien Duvivier and starring Vivien Leigh, Ralph Richardson, Kieron Moore and Hugh Dempster, this film has a runtime of 112 mins and the print quality is very good to excellent.

Plot: Stefan and Dolly Oblonsky have had a little spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna's companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it's love at first sight when he looks at Anna and their eyes meet. Back in St. Petersburg they keep running into each other at parties. Since she has a husband and small son, they must be very discreet if they are going to see each other alone.

Review: When Vivien Leigh did her version of Anna Karenina for the British cinema she had the advantage of a less stringent censorship in the UK than Greta Garbo had working for MGM in the Thirties. Garbo was hemmed in by restrictions that she had to be a wronged woman, seduced and abandoned by her lover, and committing suicide to also atone for her sins.
Vivien plays a woman who knows precisely what she was doing and yet she chose to flout the male dominated society of 19th Century Russia. Like Garbo she is married to a pill of a husband and when a dashing young cavalry officer shows his attentions to her, she falls madly in love.
It's pointed out to her at least once in the film that her biggest sin is a lack of discretion. But Vivien and Kieron Moore want the whole world to know what's going on with them. Like William Randolph Hearst and Marion Davies.
MGM softened the portrait of Count Vronsky in the Garbo version by making it an eagerness to get back into the military during war that causes the breakup. Here Kieron Moore is far less noble. Not a bad person but a weak one. His mother wants him to make a more advantageous marriage and not to a woman with a bad reputation even though he's the one who gave her the bad reputation.
There's also a cop out scene filmed by MGM where Vronsky played by Fredric March expresses remorse over Anna in the end. No such scene exists in this more realistic version.
Of course Ralph Richardson as the husband Karenin is just as big a pill as Basil Rathbone was back in 1935. A man quite full of himself in his high level job in the Czar's government, he only sees how Anna's betrayal is affecting him. Richardson is almost doing a dress rehearsal for his portrayal of Dr. Sloper in next year's The Heiress.
Vivien Leigh was unfairly compared to Greta Garbo back when this came out, unfairly I think because there's only one Garbo. Vivien was a frail creature in life and that helped in a lot of her work. Anna was a frail creature herself unable to stand up to the hypocrisy and the pressure of the society around her.
In fact Anna Karenina is a story of failure. Two people fall in love, one of them trapped in a loveless marriage, and attempt to flout society and they lose. Tolstoy sees all that and records it well, but offers no solution.
Women's liberation was off the radar in old mother Russia.…£7.49

 

Anne Marie (1936)

Directed by Raymond Bernard and starring Annabella this is an excellent print of the film with a runtime of 98 mins…..£7.49

 

Anthony Adverse (1936)

Starring Fredric March and Olivia De Havilland……£7.49

 

Apache Rifles (1964)

Starring Audie Murphy……£7.49

 

Ape, The (1940)

Starring Boris Karloff……£7.49

 

The Ape Man (1947)

Starring Bela Lugosi.Conducting weird scientific experiments, crazed Dr. James Brewster, aided by his colleague Dr. Randall, has managed to transform himself into a hairy, stooped-over ape-man. Desperately seeking a cure, Brewster believes only an injection of recently-drawn human spinal fluid will prove effective. With Randall refusing to help him, it falls to Brewster and his captive gorilla to find appropriate donors. £7.49

 

Applause (1929)

This is an early sound film starring Helen Morgan…..£7.49

 

Arizona Kid, The (1930)

Directed by Alfred Santell and starring Warner Baxter, Carole Lombard, Theodore Von Eltz and Wilfred Lucas, this film has a runtime of 86 mins and although the print quality is only OK it is an opportunity to see this Lombard rarity.

Plot: The Arizona Kid (Warner Baxter) carries out his mission as a Robin Hood-type bandit while posing as a wealthy and carefree miner. He falls for an eastern girl, Virginia Hoyt (Carole Lombard), accompanied by presumably her brother, Dick Hoyt (Theodore von Eltz), actually her husband. The Kid's mine is raided and two of his friends are killed and he learns that Dick and Virginia are the culprits...

Review: Warner Baxter does a bang up job as the Arizona Kid. The facial and vocal characteristics are charming and spot on all the time. He portrays a criminal with a heart. And there is many a twist in this tale of love. The character actors that come in and out of scenes briefly are all great. There are some great location shots and an authentic stage coach that helps introduce our main character in the beginning and is a vital link to the outcome of the film. The scenes are varied and short, so the pace of the film is good, but enough time is taken in the scenes between the Arizona Kid and Virginia (Carole Lombard) to allow us to believe they are falling in love. Unfortunately, Carole Lombard's acting is at its worst in this film. Her lines are delivered as if she was staring in a grade school play. However, the film keeps up ones interest and Carole plays quite a different part than is her norm, so it is well worth a viewing….£7.49

 

Arrowsmith (1931) **UPGRADE – Longer, improved print**

Directed by John Ford and starring Ronald Colman, Helen Hayes, Richard Bennett and Myrna Loy,  this film has a runtime of 99 mins and the print quality is excellent..

Plot: Dr. Martin Arrowsmith aspires to become a medical research scientist. When he impulsively marries nurse Leora Tozer, he instead decides to open a country medical practice in South Dakota to support his wife better than he could as a laboratory assistant. After a few years of working in his medical practice, Arrowsmith believes that his intuitions are not that well-suited to the job as compared to research. He takes up the offer of Dr. Max Gottlieb, his professor and mentor at Winnemac College, for a research position at the McGurk Institute in New York City. After years of research, Arrowsmith stumbles across a discovery, its practical uses he is initially unsure. When a case of bubonic plague hits an island in the West Indies, respected Swedish scientist Dr. Gustav Sondelius believes that Arrowsmith's discovery could be used as a serum to kill the plague. Despite the personal risk, Arrowsmith travels to the West Indies to see if the serum does indeed work. The serum being untested, Arrowsmith must make the difficult decisions between short term human sacrifices versus the long term benefit to mankind, and between the goals of the institute versus his own ideals. Through it all, Arrowsmith tries to protect Leora from the dangers he faces, she who stands steadfastly by her husband.

Review: The fact that an idealistic medical doctor was the protagonist in Arrowsmith is the reason why John Ford must have been attracted to this story and agreed to film it for Sam Goldwyn.
Allegedly it was not a happy collaboration. Two very individualistic men wanted to have their imprimatur on the film. They never worked together on a finished product again, though Ford did start filming The Adventures of Marco Polo for Goldwyn and quit.
I read the novel way back in the day when I was in high school and we only get the second half of it. There's a great deal in the book before Ronald Colman as Martin Arrowsmith goes to work for the Research Foundation and A.E. Anson as Max Gottlieb. You miss quite a lot of the character development of Arrowsmith.
Of course the plot mostly centers on Colman and his other mentor, Richard Bennett going to a Caribbean Island where there has been an outbreak of plague. Along for the trip is Helen Hayes who is Colman's wife Leora.
Colman is there to test a new serum and he's under orders as a researcher to only administer the real stuff to half his patient and a placebo to the others as a control group. This is where the racism of the time kicks in as these human guinea pigs are black, probably the descendants of runaway slaves. There is a black doctor named Marchand in the cast played by Oliver Brooks and it is a rarity among black performers at the time in that the role was hardly servile at all. Brooks seems to go along with the controlled experiment, but he becomes one of many in the cast to meet a tragic end.
With some of what came out about the Tuskegee experiments later on Arrowsmith may have been quite on target without knowing it. A harrowing thought.
Colman and Hayes are an attractive pair of leads. Myrna Loy has a much abbreviated role in the film as a New York socialite that Colman meets down in the islands. In the book he has an affair with her and marries her later on. You won't see that here.
Arrowsmith is a good film though I wish more of Lewis's story got into the final product. But it probably would have run for three hours and films just didn't do that back then….£7.49

 

As You Desire Me (1932)

Directed by George Fitzmaurice and starring Greta Garbo, Melvyn Douglas, Erich Von Stroheim, Owen Moore and Hedda Hopper, this film has a runtime of 70 mins and the print quality is very good to excellent.

Plot: Budapest bar entertainer Zara is a discontented alcoholic who is pursued by many men but lives with novelist Carl Salter. A strange man (Tony) shows up on Salter's estate claiming that Zara is actually Maria, the wife of his close friend Bruno. Maria, Tony claims, had her memory destroyed during a World War I invasion ten years ago. Zara doesn't remember but leaves with Tony to Salter's dismay. Bruno, now an officer in the Italian army, tries to coax Maria's memory back on his large estate. No one is really sure if Zara is Maria, and when Salter shows up with a mental case that he claims is the real Maria, everyone on Bruno's estate is desperately searching for the truth.

Review: This story is a quite close call on the famous case of Grand Duchess Anastasia Nikolaevna, whose possible survival as well as claimants had been quite a few. Thank God that at those times the technology wasn't advanced, so the romance and mystery prevailed. Now of course the actual grave of the ill-fated princess is found, putting all the rumors to rest. With the same technology, it could have been easy to find whether Zara was Ines' sister, Maria or not. The die could cast on either side, the life she had gone through, as the young bride, in the hands of marauding soldiers, the protective amnesia is not too unnatural, and if that shell had been maintained for a decade, it might have been quite difficult to cut through it. Greta had been brilliant as the woman, who believes she isn't the original, but having fallen in love, tries her best to act up to it. And as usual, she is brilliant when these type of emotional roles come in, there she could create the effect without really going into histrionics. The role the jealous paramour is perfectly suited for Erich Von Stroheim, he looks menacing throughout, as the sadist man, who tries to keep his woman always under his thumb, and naturally can't bear when she rebels. Douglas wasn't up to these levels, but then he wasn't expected to match these two extraordinary people. Tony (Owen) is the only one who never had any doubt, probably because he was an artist? And could look through time? On the whole it is a highly underrated movie, and there was no reason for it to be, at least now, when we already know the effect of trauma and its ability to cloud the brain. Even the end has been suitably brought by the actors, to suit the situation, in face of the ever present doubt in the mind, as Stroheim said, quite exalted by the havoc he created in their lives.

 

As You Like It (1936)

Starring Laurence Olivier……£7.49

 

As Young As You Feel (1951)

Starring Monty Wooley and Marilyn Monroe……£7.49

 

Ashes and Diamonds aka Popiól I Diament (1958)

Directed by Andrzej Wajda and starring Zbigniew Cybulski, Ewa Krzyzewska, Waclaw Zastrzezynski and Adam Pawlikowski, this film has a runtime of 98 mins and the print quality is very good to excellent. This is a Polish language film with English subtitles.

Plot: Maciek, a young Resistance fighter, is ordered to kill Szczuka, a Communist district leader, on the last day of World War II. Though killing has been easy for him in the past, Szczuka was a fellow soldier, and Maciek must decide whether to follow his orders.

Review: This is one of those movies that convince me of the medium's universality. Wajda is using his skills in emulation of Hollywood examples (for example, the tenebrous lighting reminiscent of fashionable noir movies and the deep focus honed by Orson Welles and Gregg Toland), but his story is genuinely about post-war Poland and is intensely personal and honest. In Zbigniew Cybulski, he has an actor who catches the director's personal feelings about the War and what has happened to his homeland, his bravery struggling against the ambiguity and despair brought on by war weariness and soviet betrayal. We see the sociology of the moment, from the hotel clerk's nostalgia for Warsaw, now ruined, to the hardened barmaid, who wants desperately to believe in love. The whole spectrum is sampled, from the ineffectual old leaders to the vicious soviet man who assists the targeted Sczcuka, himself a decent but conflicted character. It's remarkable that Wajda got the film made despite his soviet minders….£7.49

 

Assassin of Youth (1937)

Starring Luana Walters……£7.49

 

At War With the Army (1950)

starring Dean Martin and Jerry Lewis. The Film That Established Dean Martin And Jerry Lewis As A Top Comedy Duo. After stealing the shows with their supporting roles in "My Friend Irma" and its sequel "My Friend Irma Goes West" Paramount decided to build an entire film around their popular contract player comedy duo, Dean Martin and Jerry Lewis. This 1950 release was a huge hit that would inspire numerous other successful teamings before they split up in 1956. Placing the two of them on an army base and getting them involved in all sorts of crazy situations on and off the front lines adds up to some sheer hilarity and one of their best teamings. £7.49

 

Atalante L’ (1934)

Directed by Jean Vigo……£7.49

 

Atlantic (1929)

This very early British sound film was directed by EA DuPont and stars Madeleine Carroll, Monty Banks and Joan Barry. The print is OK and has a runtime of 94 mins…..£7.49

 

Atlantide, L’ (1932)

Directed by G.W.Pabst and starring Brigitte Helm, Pierre Blanchar, Jean Angelo, Tela Tchai, Florelle, John Stuart and Gibb McLaughlin, this film has a runtime of 89 mins and the print quality is very good to excellent. This French language film has English subtitles.

It might at this point be worth explaining that three different versions of this film were shot at the same time, in English, French and German, this one being the French language version. All starred Brigitte Helm, but the supporting cast varied in each version.

Plot: Antinea. the Queen of Atlantis, rules her secret kingdom hidden beneath the Sahara Desert. One day two lost explorers stumble into her kingdom, and soon realize that they haven't really been saved--Antinea has a habit of taking men as lovers, then when she's done with them, she kills them and keeps them mummified.

Review: If you're expecting an action filled bit of camp desert adventure this isn't the movie for you. If you're happy with an almost surreal look backward into time and film making you're going to love this.
Every scene was worth capturing and putting into a frame on your wall. From the dreamy starkness of the desert to the marvelously vulgar flashback of the Paris dancers my eyes just couldn't get enough.
I've read several reviews that complained the story was slight and or incoherent but I didn't feel that way. Dreams don't have to be epic tales or follow a strict pedestrian logic and I was happy that this dream of a film allowed me to feast my eyes and wonder.
The score was almost as gorgeous at points as the camera work, flowing from one theme and bursting into another sometimes shockingly but always beautifully….£7.49

 

Attack of the Giant Leeches (1959)

Starring Ken Clark and Yvette Vickers……£7.49

 

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